專輯歌曲：
專輯介紹：
在這個世界的邊緣，
在荒蕪奇異的星球，
有一位拾荒者。
On the edge of this world,
on a barren, bizarre planet,
there dwells a scavenger.
不見得憔神悴力，卻穿梭在破壞與重建的循環，
不見得狂言妄談，卻漫遊在迷幻與想像的邊緣，
不見得黯然蹣跚，卻探尋著暗夜中的希冀光束。
Don』t let the worn facade deceive, for his spirit』s unshaken by the duel of crumbing ruins and towers anew.
Those words may not be vein, for he』s wandering between dream』s and illusion』s reigns.
Not stumbling as he may seem, for he』s searching in the deep night for hope』s gleam.
拾荒者，可以理解為在一個被遺忘的宇宙角落裡孤獨漂泊、尋找遺失希望、探尋殘存價值的人。當理想被現實放逐、人性被意志擊潰，拾荒者穿行在末日之下的世界，異星原始物種映入眼簾。打破常規邏輯和法則，於生機與毀滅的邊緣挖掘新的生機，以天馬行空的想像構建關於人與自然的新家園。
A scavenger can be seen as a lone wanderer in a forgotten corner of the universe, searching for lost hopes and exploring residual worth. When dreams are exiled by reality and humanity crushed by will, the scavenger travels through an apocalyptic world, encountering alien species. Breaking conventional logic and norms, he carves out new possibilities on the brink of life and destruction, building a new haven for humans and nature with boundless imagination.
作為張哲瀚第三張個人專輯，《拾荒者》似乎沒有那麼「明亮」。在整張專輯的視覺呈現上，深沉色調和陰暗光影為主的基調呈現出一種神秘又令人沉思的氛圍。荒涼與遺失、古堡與廢墟、破舊與狂亂、古典與現代的元素像無人角落塵封了許久的廢舊故事，等待來自深處的凝視、探索與重新開啟。
Zhang Zhehan's third solo album, 'Scavenger' casts a less 「luminous」 light. Visually, the album conveys a contemplative and mysterious atmosphere with its deep tones and dark shadows. Elements of desolation and loss, castles and ruins, decrepitude and frenzy, classical and modern, intertwine like long-forgotten stories in a dusty, deserted corner. Waiting to be deeply gazed upon, explored, and revived.
在他的音樂之路上，如果說第一張專輯《深藍者》像獨自潛入靜謐深海的低語；第二張專輯《曼陀羅》是蓬勃生長在荒漠，不被澆熄的火種；那《拾荒者》更像以荒蠻又優雅的視角洞察世界，再用雙重疊加的靈魂獨白詮釋人性之復雜多變。
On his musical journey, if his first album 'Deep Blue' whispers like a solitary dive into the tranquil deep ocean, and his second album 'Datura' blooms vigorously in the desert, like an unquenchable flame; then 'Scavenger' views the world with a graceful yet wild perspective, interpreting the complexities of human nature through a layered soliloquy of the soul.
抬頭仰望寰宇，有一位拾荒者，且聽。
Look up to the cosmos, there stands a scavenger, listen closely.
《Can You Hear Me 聑 》
一座古老城堡矗立山巔，烏鴉時而盤旋在拾荒者指尖，時而停歇在城堡尖頂，似乎為城堡守護著古老秘密。作為專輯首支單曲，歌手在創作上更加大膽和先鋒，僅以一句『Can You Hear Me』為歌詞貫穿全曲。
An ancient castle stands atop a hill, with crows sometimes circling around scavenger』s fingertips, and sometimes resting on the castle spires, as if guarding the castle』s ancient secrets. As the first single from the album, the artist takes a more daring and avant-garde approach to the composition, with the entire song build around the single line, 「Can You Hear Me.」
是「你能聽到我嗎？」聽什麼？聽誰說？
「Can you hear me?」 Listening for what? Listening to whom?
在歌曲裡，歌手沒有給出具體答案。這不是一個人的心聲、不是夜色的詭譎之聲、不是城堡呼嘯的宿命之聲、不是火車汽笛，萬物皆可發聲，萬物即是自己本身。簡潔的短語，像宇宙間無數存在的聲音，心靈蒼穹裡的萬物獨白。
In the song, the singer leaves these questions unanswered. It's not merely a person's inner voice, nor the eerie whispers of the night, nor the destined howling of the castle, nor the whistle of a train. Everything has a voice, and everything is itself. A succinct phrase, resonating everything existing in the universe. A monologue of the mind within the cosmos.
在孤獨而又充滿渴望的世界中，無論是崇高或荒蕪的靈魂都渴望被聽見，被聽見那些隱秘的情感，落寞的歡愉。而每一個生靈也都可以葆有自己的隱秘之所，那是一片未曾為人知的古堡。《Can You Hear Me 聑》超越言語的界限，時間與空間的局限，完成一次內心自白與外界聲音的心靈契約。
In this lonely yet longing-filled world, both noble and desolate souls yearn to be heard, to have those hidden emotions and solitary joys listened to. Each creature has its own secret place, an unknown castle. 「Can You Hear Me」 transcends the boundaries of language, the limits of time and space, forging a soulful connection between inner confession and the sounds of outer world.
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